Where the Clouds are Hung for the Poet’s Eye (11)

 

Emerging from the Mouseium into the bright sunlight, Thalia noticed not many people were around.  Maybe they take siestas here.  I’m exhausted and need to mull over all I’ve experienced so far on this walking tour.  It’s not only hard on my aging body and feet but also on my emotions. Time to mull this over and rest.

 

She ambled over to where a great oak shadowed a bench next to an abundantly flowering garden with a spring-fed bubbling pool.  Happy to rest her feet by sitting and her emotions by zoning out to allow for mulling as she enjoyed the lovely flowers and ferns, she plopped down.  Need to get these shoes off.  They’re great for walking but don’t let your toes move.   She leaned back, wiggled her toes and breathed deeply.  Looking at the cotton candy white clouds against the azure sky, she watched a bird far away dance among the fluff.  Hard to tell what kind of a bird.  Is that a seagull?  Maybe Jonathan Livingston Seagull?   Neil Diamond sang some great songs with fantastic words in his album recorded years ago.  “Where the clouds are hung for the poet’s eye.”  Anything to do with Thalia—muse of pastoral poetry?  And “I sleep, and I may dream…”  Maybe it’s an eagle?  An eagle’s eye view…up among the clouds…I sleep…I dream…

 

Rising on strong wings, she felt transformed once again.  The air felt invigorating as it raced against her face-that-wasn’t-her-face because what she saw and the way she saw was very different from usual.  Moving, free, light, ever upwards into and through the misty clouds… hung in the sky for the poet’s eye.  More like a bird’s eye view here.  How incredibly beautiful!  She had a sense of purpose, of having been set on a mission to travel.  She couldn’t remember what but just followed what seemed to be right, or maybe instinct.   She rose above the level where some other sea-birds were flying and thought again of the book she read back in the early 1970’s, Jonathan Livingston Seagull by Richard Bach where Jonathan learns everything he can about flying, but his lack of conformity distances himself from the other seagulls.  He then meets two gulls who escort him to a place way beyond where all the others are flying in conformity.  He meets the wisest gull who teaches him that to move instantaneously anywhere, he needs to begin by knowing that you have already arrived.  We are already where we want to be.  Perhaps that is how I can change forms so easily—just by knowing where I want to be or rather, who I want to be.  And Jonathan learned that in order to be really free one must learn how to forgive. 

 

She seemed to have been released by something? someone? to take this form at ocean’s edge and now flew over mountains and rivers and valleys.

 

            

So exhilarating!  To be able to view so well at a great distance, without glasses, much better than glasses could ever be.  The details… the distance…  What’s that in the distance?  It looks like a classical temple but it’s all hazy.  I sort of see it, but sort of don’t.  Maybe when I get closer.

 

She finally approached right near the beam of haze, like a cloud extending down to the ground, encompassing what she thought was a temple.  Should I enter the haze?  Why not?  Just like the gar in the tunnel, this eagle needs to enter the unknown ahead.  Here goes…

 

 It was like she was standing still, the view around here didn’t change, just the view directly below her.  Like she was treading water somehow, but this was air.  And here was another eagle who came in from the opposite side.  A voice boomed:  Well done, my two eagles.  I, Zeus, released you so where you came together, one from the East and one from the West, there would be the omphalos, the navel of the world. The lines of force all come together here at the cleft from which emerges the sacred pneuma.  Watch and see what I, Zeus, foretell as the future of this sacred place. 

 

Caught in the vortex of time and space, she could only watch and wonder as the images flew by: chasm in earth with vapors escaping; sacred space for Gaia with goddesses Themis and Phoebe as the oracles; then sacred to Poseidon “Earth shaker,” the god of earthquakes and later-child of Gaia; Apollo arrives around 8^th century BC and expels the snake god Pytho, the serpent of Gaia, but Apollo honors him by maintaining his name for his priestess (Pythia) and for his games (Pythian); as Apollo is god of music and arts, the games held every 4 years incorporate music and the arts along with athletics; presiding Pythia priestess delivers oracles; fire destroys temple during First Sacred War about 590 BC; landslide saves Delphi from Persians about 490 BC; other Sacred Wars where control is taken by various Greek city states; 4^th century BC the  Macedonians seize it and save from Gaul invasion; Romans conquer in 189 BC; Sulla sacks site in 86 BC; Nero carts off statues in 51 AD; then the site sits neglected for many, many years after treasures and stonework are pillaged; earthquakes, dust and time cover the site; people build over and make a more modern village; French begin to dig in 1861 and find artifacts; the Greek Department of Antiquities move the village in 1891 to allow excavation; the French continue to dig and reconstruct buildings and a few columns as they unearth remains; studies show evidence of the presence of ethylene, a potential hallucinogen found at the temple location emanating from the chasm and fissures leading into the adyton (“do not enter”) sacred space where oracles were transmitted, as well as other surrounding areas.

 

 

But at the same time, she could also see nearby areas undergoing similar change: an amphitheater, seating 5000, being built in the 4^th century BC, restored in 159AD and later by the Romans; a stadium, seating 7000, well above the theater built in 5^th century BC with the four Roman pillars of the Triumphal Arch remaining; the comings and goings at the Castalia Springs tucked into a ravine, first a simple spring then a Roman fountain house then ruins; the Gymnasium built in the Greek classical period, rebuilt in Roman times, then a monastery; then ruins.

 

Also the Athena Pronoia Temple, “the Marmaria,” with earliest occupation as a Mycean cult center; then Temple Athena destroyed by a landslide 5^th century BC, replaced along with other structures; the circular, marble Thalos with 20 slender Doric columns built between 380 and 360 BC, falls to ruins before three columns are reconstructed in 1938; many tourists come.

 

Finally a modern museum built in 1902 where many of the ancient artifacts and statues are on display including the bronze Charioteer…oh!…I’ve seen that…spinning, stopping…haze lifting to show the way Delphi looks now from an eagle’s view… head spinning… clouds floating by… close eyes…

 

She woke with a start.  That dream?  Was it a dream?  It was from my world.  My world’s history.  My feet feel rested even if my head still is spinning with all the images and history in the passing of time.  But here I am in the Lemurian City of Ladies. What is the connection to the Delphi of my world?  Only way to find out is to follow the guide book and walk there.  Great scenery being an eagle, but now I have to rely on these two feet to move.

 

She looked at the clouds drifting by a moment with affection and nostalgia, pushed herself up from the bench.  A small sign next to the bench caught her eye:  “THIS AREA CONTAINS NUMEROUS SMALL FISSURES LEADING UP THROUGH THE LIMESTONE OF THE LOCAL GEOLOGY.  VAPORS POSSIBLE.” 

 

She smiled, and followed the path.

A-mus-ing (10)

 

Still pondering the reason why Apollo and Thalia would be depicted on the same coin the ghost in the Hall of Remembrances gave her, she entered the Lemurian Mouseion in the City of Ladies.  Entering between huge columns, she thought of the many museums she had visited in her life, all with columns, within and without: Metropolitan Museum of Art and the Cloisters in New York City, the University of Pennsylvania Museum in Philadelphia, the Carnegie Museum in Pittsburgh, PA., the British Museum, etc. 

 

She moved into the coolness of the House of Muse and was intrigued by the richly detailed mosaic floor, which the sign said was Roman and exhibiting the nine Muses.   

 

 

And here was a sarcophagus, the “Muses Sarcophagus” representing the nine Muses and their attributes.  Made of marble in the first half of the second century AD, it had been seized by Napoleon and then exchanged in 1815.  What does that mean? 

 

 

She wondered which one was her adopted namesake.  There’s Thalia or Thaleia, according to the sign, holding the comic mask—second from the left.  Funny, how it all developed.

 

Years ago she had come across a medium-sized box turtle while both were walking in the Ozark woods.  This turtle didn’t draw in its head or extremities like most she had come across.  Its head stayed out and slowly looked up at her eyes.  Whoa!  What is this?  Not afraid and not looking at my feet, but directly into my eyes.  And what beautiful eyes it has—soft and warm.  How can a turtle have warm eyes?  They’re cold-blooded reptiles.

 

She reached down and slowly picked up the turtle who kept looking at her.  For some reason, unknown to her consciously, the name “Thalia” came to mind, so that’s what she called the sweet turtle.  She built Thalia a three-level habitat and kept Thalia for a number of years.

 

Remembering Thalia-turtle, she adopted the nickname at various times, liking the sound of it.  Previously, she had known Thalia was one of the Greek Muses but didn’t know anything beyond that.

 

She moved around the room, reading about each of the Muses.  Fascinating!  Where’s Thalia?  Oh, here she is.  Thalia is Latin whereas Thaleia is Greek.  What a lovely statue. Maybe I can get a picture of this and make a collage from it.   This is from the Vatican Museum in Rome from the second century C.E.  And this one is from the Heritage Museum in St. Petersburg, a Roman copy of the original from the second century AD earlier in Greek.  Hmmm, some say C.E. and others say A.D.  Wonder what’s the difference? 

 

Let’s see what this says: she was the muse of pastoral poetry and comedy and is usually seen with a shepherd’s crook and a mask of comedy.  She was either one of the nine Muses (the eighth daughter of Zeus and Mnemosyne) or one of the three Graces born of Zeus and Euryrome, daughter of Oceanus.  Some even speculate they are one and the same.

 

Ah!  Here it is—Thaleia becomes mother of the Corybentes (or Korybentes) by Apollo.  That’s why they are together on the coin.  She reached into her pocket for the coin, brought it out and moved it back and forth so it caught the light, and from one side to the other.  Then she looked back to the caption which stated there had been a coin made, a denarius, with the head of Apollo and the reverse had Thalia, Muse of Comedy, holding an actor’s mask.  This was a rare depiction of a Muse on a coin.

 

Wow!  And now I have one.  It’s beautiful!  How did that ghost have one?  And a real one at that?  I’ll have to go back to the Hall of Remembrances and get his story.

 

She held onto it, looking at it occasionally as she continued around the room, looking at statues and reading the information.  She moved to the center of the circular room where there was an elaborate, large urn with a sign saying anyone making an offering or a hymn to the Muses, or of one in particular receives the honor-offering back three-fold.

 

There was some blank notepaper and pencils there if anyone needed it.  Quite a few folded papers were in the urn along with some coins and paper money, what looked to be a necklace and even a ring.  A lovely silk scarf was half in and half out of the urn.  A few pages had obviously been prepared at home and brought here since the paper was decorative.  And someone placed some fresh flowers in an ivy wreath.  A pretty, lacy embroidered handkerchief peeked out of the pile of offerings.

 

What can I offer at this altar?  I could do a quick poem, or maybe tell a story about who my muse might be… but wait a minute… I think Thalia is my muse.  What could I leave for her?

 

She suddenly realized her fingers had been unconsciously playing with the coin she had returned to her pocket for safe keeping.  She brought it out and looked at the smooth edges where many fingers had worn them down over time. 

 

I don’t need the coin to remember to go back to the Hall of Remembrances.  I love it, and it feels right to be touching it, but really… I guess I’ve had Thalia as my muse for many years without realizing it.  What better place could there be, for this coin?  But not as an offering, but a gift in gratitude.  My life is already flourishing and flowering (what they say is the meaning of the name ‘Thalia’).  Perhaps that has been my muse’s influence already combined with Grace from beyond the realm of muses.  What more do I need?  My life overflows with love and support and gratitude.  The choosing of the name Thalia years ago for the turtle was either from the deep unconscious or the higher consciousness.  In either case, it has worked.  My muse found me.

 

She lovingly rubbed the coin and looked at both sides to engrave the images into her mind’s eye for future reference.  Then gently and reverently placed the coin on top of all the other offerings in the urn with a reverent Thank you. 

 

 

 

She then turned and walked outside.

 

When I finish this walking tour and return home, I think I’ll make a collage card using pictures of these statues and the sarcophagus and, maybe even a turtle, to represent this part of the tour.  And if I answer the Soul College questions, I will learn even more about this aspect of myself that is Thalia.

 

As she walked, she mulled over how she might arrange the pictures on her Thalia/Thaleia collage card.

 

 

 

Maybe I’ll even post the completed card and related answers on my blog when I get it finished.  What an adventure this walking tour has been.  And there’s still more to go. Hope my feet hold out.  I wonder how far it is to the Labyrinth and the Tholos.  This older body and weary feet need a rest.

The Hall of Remembrances (9)

 

Come, m’lady.  The child took a step, pulling on Thalia’s hand as the others started moving further within the catacombs.  Thalia stood up, grasped the torch and followed, being led by the child who pulled ahead yet glanced back at her shyly.

 

She sent out her thought to the child.  What is your name?  A mumbled something touched her awareness.  The woman’s thought was clearer:  Later.  Just come.  We’ve waited a long time.

 

They walked in physical and mental silence, turning down one tunnel after another.  After a while, as the darkness deepened, she couldn’t help but wonder how she would return to the entrance, but figured it would happen naturally.  She thought of the stories she encouraged from hospice patients, volunteers and staff.  Of how patient memoirs were so treasured by their loved ones after the patient died, sometimes even revealing stories the loved ones didn’t know about.  She thought of how her own memoir process unearthed the web of patterns that helped clear misconceptions and resentments she had carried. 

 

Yes, we saw that in you, that which Is what we need done for us.  The man’s thought broke through her own.  Some of us have been waiting a long time to understand what happened in our lives and sometimes even in our dying.

 

Thalia felt momentarily confused.  But I record their stories before they die, not after. 

 

The woman stopped and turned around.  But you told the stories of your ancestors after they were dead.  And you’ve written poems and stories about when your loved ones appeared in a so-called “dream” and shared with you.  What is so different? 

 

Nothing, I guess.  I just never thought of this aspect until now that you mentioned it.  And never thought a walking tour in the City of Ladies would lead to this deep part of the catacombs.   I remember being intrigued by Orson Scott Card’s book Speaker for the Dead.  What a great book.

 

The woman resumed walking forward.  Just come.  You’ll see.

 

After a few more twists and turns they entered a large cavern with many, mostly marble, sarcophagus’ and statues along the walls and throughout the room.  Marble benches were scattered around.  No one else was in the place.  The trio escorted her to a bench in front of a large, ornate statue of a weeping angel. 

 

 

The little girl’s hand started trembling.  Thalia looked from the statue to the child still clinging to her hand.  Looking back at the engraving, she read: 

                                       MARIA ESTAL…   (part was missing) 

                                            9 YEARS OLD  

                                 MUCH BELOVED DAUGHTER

 

Is this your tombstone?

 

The child bobbed her head.  She seemed small for her age.  Thalia sat down on the bench and drew Maria close.  What would you like to share with me?

 

With tears running down her face, Maria’s thoughts gushed forth.  It says my papa loved me but how could that be?  When he did those things to me?  The priest said it was wrong and papa was bad.  He couldn’t have loved me.  Her weeping escalated into sobbing, so holding her and waiting was appropriate.  Finally the sobs subsided.  Then the sickness came for mamma and me.  They all said it was because papa was bad but he cried when we were sick on the bed.  Then mamma died of fever and I got worse.  Papa said he loved me but the priest said he was bad and didn’t love me.  Was I bad?  Is that why papa did bad things to me?  Is that why I died?

 

No, you were good.  Your papa did things he shouldn’t have but you were good.  It wasn’t your fault he did those things to you or that you and your mama died.  Tell me more about your papa.

 

Maria wiped her sleeve across her nose and continued.  Mama said papa had been in a war, fighting far away.  When he came home he was different.  Then there was another baby coming and papa started touching me.  Mama was busy with the baby and didn’t see.  They argued about things that happened during the war, but I didn’t understand.  There was a long pause.  Are you sure I am good and not bad?

 

Yes, I am sure.  And even though your father did some bad things doesn’t make him all bad.  His actions were bad but he could have also loved you.  And sometimes war changes people and makes them act bad.  After being away in a war you might have looked so clean and fresh that he just was glad to be home, and he wanted to be part of your innocence and freshness.  What he did was very bad, but he could still love you.  Maybe he was sorry about what he did.  Look at the weeping angel—maybe he picked it out because  it represents him weeping for what he had done.  Can you understand that?  Thalia thought of all the adults who could only see the world in black or white, and couldn’t understand shades of gray in people or allow for forgiveness.  Their anger festered for years, or even for their whole lifetime, and made their lives bitter and the lives of the people around them miserable.  They couldn’t separate the action from the person.  If adults couldn’t understand, how could a child?

 

I think so… maybe.  I’ll try.  I always thought the angel was weeping because I was so bad. 

 

No, that’s not why the angel is weeping.  We grow when we can learn to forgive.  It’s hard, but important.  Forgiveness heals us and is more important for us than for the person we forgive, but both are important.

 

Maria moved to gently touch the weeping angel and the engraving of her name and where it said she was the beloved daughter.  As she sighed, she smiled.  Thank you, m’lady.

 

No, I am not a “m’lady.”  I am just a woman on a walking tour of the City of Ladies.  Now I am not sure where I am.

 

A new-energy thought chimed in.  We will call this place the Hall of Remembrances.  Will you come back and help us tell our stories?  There are many stories here needing to be told.

 

She looked up to see many other pale figures emerging from the walls and statues, clustering around this latest thought-speaker.   He appeared to be the one with authority.  In his outstretched hand was a coin that seemed to have real substance.   Remember us! 

 

The coin was suddenly in her hand, solid and heavy.   A male head on one side and a woman standing on the other side. 

 

 

She looked at him, as he stood there with more physical essence than the others.  That’s Apollo on the one side; the muse Thaleia, as I know her, on the other.  Take this coin and remember us.  We await your return.  Others like yourself are welcome, also.       

 

I will return now and again, and perhaps others will also come to help you.  Thank you all for sharing with me and inviting me.  For now I need to return and continue the tour.  But I will be back to the Hall of Remembrances for more of your stories. 

 

And suddenly she was back at the entrance to the catacombs, coin in hand, ready for the next adventure, even as she wondered why Apollo and Thalia were on the same coin.

Voices from the Past (8)

 

Feeling cleansed of both physical and emotional “stuff” from Dame Washalot’s Bath House, she followed the walking tour map to the Catacombs.  Most of her knowledge about catacombs was derived from movies of the 1950’s like The Robe, Quo Vadis, and Ben Hur which all portrayed early Christians hiding out and having services there.  Later, she was surprised to learn catacombs were actually pre-Christian and even pre-Roman, and were used for burials and as hiding places from persecution.  The Sumerians, Egyptians and Greeks all utilized catacombs.

  

More recently she read Internet articles about supposed inner-Earth races living underground in catacombs, caverns and tunnels.  And a Hope Indian legend speaks of a very ancient complex beneath the surface occupied by a lizard-race 5000 years ago. 

 

It didn’t help her to recall these interesting but potentially frightening ideas as she moved further into the catacombs.  Even holding the torch she had been given at the entrance near the statue of Jesus at Gethsemane didn’t help—it just cast odd shadows.    At first the walls were smooth so it wasn’t bad, but now there were cubby-holes and recesses with statues or sculptures within, to which the flickering light added a macabre element.  As she approached each item, she thought they were moving.  As she peered closer, she could then discern they were just statues of angels and people. 

 

I guess there are people buried here or maybe just their ashes are buried here.  Reminds me of that Reader’s Digest article speaking of how the carbon can be extracted from the cremated remains of a loved one, and with heat and pressure, can be made into a real diamond.   What an odd line from the CEO of that company: ‘It isn’t in memory of a loved one, it is the loved one.’ 

 

Oh, what’s that?  Looks like it’s moving.  She crept closer.  It’s a gargoyle, and here’s another.  Why would they be in here?  Maybe to protect the remains, as they usually are supposed to be ugly to scare anyone unwanted away.

 

Something flew at her out of the dark; she ducked as another something flew past.  Bats! Ugh! They must be roosting further within since I haven’t seen any guano so far.   

 

 

Now it was totally dark, except for the sputtering torch.  She approached a marble bench in front of a sarcophagus within a recessed part of the wall.  Tired, she placed the torch into a holder and sat down.  I can’t walk all day the way I used to.  Probably not too many years before my ashes will be placed somewhere.  Would like for them to be scattered in various places but what if they were in a place like this?  Maybe I’m passing or looking at my own burial from another time—the circle of time.

 

She felt very much at peace here, surrounded by the remains of many people, deep within the earth—no noises of cars, power tools, construction, cell phones going off annoyingly or people having to talk all the time.  Silence—stillness…  She closed her eyes and meditated, sinking further into her center.  First the pinprick of light in the darkness, then the starburst.  She drifted out of her body, moved through the packed earth, into the air, above the city.  She could see-sense for miles.

 

peaceful… but not the time to continue…time to return

 

With that thought she moved back into her body, but aware her physical body was now surrounded by other bodies.  Keeping her eyes closed, she reached out her awareness to assess who was there.  Feels fine.  Good energy.

 

She opened her eyes.  A child was standing in front of her, looking at her.  A woman on one side, an elderly man on the other.  She nodded in respect to each translucent person—each smiled in return.  She knew words were unnecessary.

 

Hello.  Who are you?  How can I help?

 

The woman’s thoughts were clear: Please, help us.  We stay here now, close to what had been our bodies.   But we need to have our stories told.

 

The elderly man nodded as the little girl stroked her hand.  He then thought: There are others, too, needing to find the meaning in the lives they lived.  By telling their stories you will discover the underlying pattern and meaning, and reveal it to each of us.  We can sense you’ve done it for others, could you do it for us?

 

I would be honored to tell your stories.  I’m sure each one would be as interesting and meaningful as each person is unique, no matter how boring they think their life is.  I’m Thalia.  Glad to meet you…

 

Different Scrubs in Different Tubs (7)

 

Unnoticed

     as she looked down and watched

     as people came to the big tub

            for the scrub

 

Scrubbed

     of dirt from the here and now

     of all identity in life

            from strife

 

Scrubbed

     of preconceived notions

     of the dying process way

            identity new each day

 

Changes

     occur every day we live

     some visible rocks, some dust

            shape-shifters each of us

 

Wow, quite a difference from the Roman baths in Bath, England.  Those were for soldiers and aristocrats mostly.  Dame Washalot’s Bath House seems to cater to a full range of people and washes off more than just physical dirt and sweat.  From the sounds of it, the Dame scrubs deep to wash off self-doubt, inhibitions and preconceived notions.  What a delightful difference!

 

 

She flew out the window and returned for her satchel before changing back into herself.  Remembering her spa massage six years ago, about 8 months after her hysterectomy where the woman seemed to be trying to scrub out her scar and her surgery, she was ready for another massage, this one from the Dame.  With head held high, she walked to Dame Washalot’s Bath House and entered.

Arriving at the Villa (6)

“Lemuria”     Thank goodness she saw that sign posted on the tree before shape shifting into a young girl and blundering into the circus world.  If she hadn’t, she might not have been so open to listening to the bearded lady when she relayed a story she once heard of a special city in Lemuria.

 

At first, everything was going well with her circus adventure.  Getting a job as a stand-in horseback rider, she was able to ride every day on different horses and ponies.  And she got to know many new people, finding them to be quite a diverse group, as one would expect. 

 

 

Ranging from the ringmaster, who thought himself ‘high class’ and ‘hot stuff,’ to the men setting up the tents and caring for the animals, to the performers who had the necessary skills of juggling, tight-rope walking, lion taming, etc.  And the lowest on the social order—the ‘freaks’ or ‘strange’ folk that the others looked down on and avoided.

 

 

But her time in hospice had further shown her the importance of accepting each person right where they are and who they are—accepting unconditionally—and being compassionate and supportive since they, too, are doing the best they could on their journey.  As her teacher said, “We are all struggling souls.”

 

Hospice also addressed the whole person, not just the physical.  So one went beyond appearance to the inner being.  To look at what was beyond a wasted body due to cancer eating it away; to a tube-filled body as muscles lose control of bladder and bowel; to a body with radiation burns or surgery scars or chemo baldness; to a body with no seeming memory so it wanders off and repeats stories incessantly; to a body literally rotting from wounds needing chlorophyll dressings to tamp down the odors?  She had found so much is underneath all that: a real life filled with joy and love, magic and disappointments, all the things that make up the lives of all seemingly healthy people.  A beautiful person within struggling to get through life and to do it well, to pass on to the children his or her values and legacies.  A beautiful soul…

 

There was no doubt the appearances of these circus folk could put one off… But what was underneath?  Nothing worth investigating, according to the general circus population.  But she had found much to admire: courage in the face of ridicule, honor even as they were treated dishonorably, and marvelous stories.    What a wealth of stories she heard. 

 

It was only after being backed into a corner by the so-called ‘high class’ ringmaster that she realized it was time to leave.  He threatened her against telling anyone and even that he would prevent her leaving.

 

It was only after he was distracted by an accident with the flame-thrower that she could grab her satchel, change into a black circus-show panther and escape.  As she slipped into the forest and wondered where to go, she thought back to the story told by Quinda, the bearded woman.

 

“Many years ago, when I was a child traveling with my mother and the circus, I remember being asleep and waking up to see a beautiful lady in our tent talking to my mother.  I moved close to lean into Mamam’s skirt, smelling the familiar lavender herbs she stored her clothes in.  The Lady took my hand and looked directly into my eyes, not at my chin.  She said she had seen me with my family and wanted me to know of possibilities other than being with the circus.  I was young enough then that my beard was just starting to show.  Mamam had always told me that one day I could be in the sideshow with her when my beard was full and thick like hers.  I couldn’t wait to earn my own money!  Now here was someone talking of how I could leave the circus and find the Lemurian City of Ladies where I wouldn’t have people staring at me and calling me ‘strange.’  I had heard folk say those things to my mother, but never, so far, to me.

 

“My mother put her arm around me and drew me away from the Lady as she said, ‘Family stays together—no matter what!  Thank you, kind Lady, but my daughter stays with me.’

 

“The Lady sighed.  ‘I understand,’ she said to Mamam.  Then she looked at me again—directly—and said, ‘’There is a home for anyone at the City of Ladies, where you will be respected and allowed to follow your creativity and educational dreams.  Don’t forget the Lemurian City of Ladies.  Go to le Enchanteur’s Villa where you will find refuge.’”     

 

She thought of those words of Quinda’s as the she-as-panther streaked through the forest with her satchel bouncing along her side.  After much traveling, she came to the crest of a cleared hill and could see into the distance.  A beautiful city shimmered in the mist.  Could that be the City of Ladies?  She headed in that direction.

 

When she finally came to a road, she changed into her normal body.  What is normal?  I guess most would consider me  one of the ‘strange’ folk.  She found a branched twig and sort-of combed her hair.  She got our her alcohol-gel from her satchel and cleansed her hands.  Feeling better, she stepped onto the road.

 

She approached the city and caught up to a group of women, and after asking if anyone knew where le Enchanteur’s villa was.  She was bombarded with an outburst of replies: “Oh, another one.”  “Yeh, you can’t miss it.”  Are you sure you really want to go there?”  There’s talk of odd things happening in that place.”  And each one quickly turned into one of the shops and disappeared before she could question them further.

 

Slinking into an alley, she hid her satchel behind some broken pottery.  Maybe she should see what was there first.  Who were these people at the Villa?  She shifted into a moth since dusk was approaching—no one noticed a moth—and flitted along looking for the Villa.  There was the sign.

 

She waited until another woman entered and flew in with her.  Quickly finding a spot with good vantage view on a wall shelf in the foyer, she landed and looked around.  She would stay like this until she knew more.  No one notices a moth.

Circus Memories (5)

 

Adjusting her satchel diagonally across her neck and shoulders, she found the wet coolness of the satchel’s outer material felt good.  Somehow, this day seemed a lot hotter than when she set out. The plastic lining of the satchel and the plastic zip bags should have kept everything within dry.

 

She scrambled up the embankment, as well as an overweight older woman could scramble, arriving at the top somewhat out of breath and with dirty sappy hands from grabbing at the shrubs for some balance.  She arrived at the top, repositioned her clothing and satchel.  Whew! Now, where am I? and where is that music coming from?

 

 She looked around and listened.  A path ran along the stream bank with the music seeming to come from the right.  OK, let’s go and see what we see.  As she ambled along the pathway, she took note of the trees and wild flowers.  Among the familiar flowers, some seemed to be those of the Ozarks, and some from her living in the Northeast.  But some were entirely different.

 

So very different!  Wonder what they are? On the way back, if there is a way back, I’ll look closer.  Follow the music.  Reminds me of the circus figures I made for Essie for Christmas.

 

 

I sure enjoyed researching, drawing then painting and cutting out the figures.  Fun designing what to use and how to do it.  Two layers of oaktag (now called poster board) glued together was the perfect thickness so the figures could stand up.  Tried to get the same stuff Dad had used on my set years ago, but no longer available. 

 

It was so nice to hear that Essie enjoyed playing with them.  She really enjoyed my putting her face on the horseback-rider’s body.  I remember all the fun I had playing with my figures Dad had made for me.  Now I was making circus figures for my granddaughter–the Wheel of Life.  So many good memories for me and I hope, for her.

 

The path moved away from the stream and now joined with another.  Three children were ahead, probably coming along the other path, hopping and skipping along.  The music was louder and now she could clearly hear the brass band playing marching music.  Anticipation and memory quickened her blood.  She remembered her first visit to a circus at Madison Square Gardens in New York City in the 1940’s.  The overwhelming sights and activities in the arena upstairs—truly a three-ring circus—and the overwhelming sights and smells while visiting the animals in the basement of the Garden.

  

 The whole trip into the City with my family was exciting: going on the bridges over water and into the tunnels under water to enter Manhattan.  So many new things to experience.  And the wonderful circus music making your body move like a puppet on a string.  She couldn’t help skipping and moving to the music she now heard. 

 

One of the boys stopped and turned around to look at her.  She could hear him say in the honest/cruel manner children sometimes have: “She’s old.  Why is she coming here?  And why is she skipping?  She looks silly.  Let’s get out of here.”  He grabbed the shirt of another child and they started to run away. 

 

Momentarily deflated, she hung back as they darted ahead.  Now it was her weight and her age that occasioned some ridicule for being different.   As a child it was being too skinny, dressed in mostly hand-me-downs from cousins, too shy and quiet.  Later it was being too good and smart, then having children and staying home to be with them instead of working, then… then… then… always something.  But now it doesn’t bother me the way it used to.  I know my own worth and why I was like that and the struggle to overcome all the odds.  I know who I am and where I am going.  Well, I may know the essence of who I am under all the who’s I can be, but I may not know where I am going right at this moment.

 

She came upon two objects nailed to a tree: one was a circus poster that caught her attention.    

 

 

 Yes, that is who I need to be right now.  A young girl who can skip and run and even… maybe…  ride a beautiful horse, just like that.  I always loved to ride horses, but I may be too large for one now.  But a young girl would be perfect, like Essie.

 

She moved off the path into a clearing behind some bushes.  Looking around, seeing no one, she closed her eyes and thought of her granddaughter’s face on the bareback-rider’s body: slim, young, agile and enough balance to stay on the horse as it pranced around the circus ring.  This will be great!   Finally a chance to really ride horses and yet be so graceful.  I see myself on a beautiful white horse, just like that one.  Flexible enough to leap from horse to horse yet mature enough to be responsible for the care of the horses.   Yes…

 

Yet as she could feel her body shift into its new shape, and the pounds drop off, she suddenly remembered the other sign on the tree.  “LEMURIA” 

 

What did that mean?

An Old-Fish Story - 3

 

Where were they going?  And why are they all going together?

 

She turned around and scrambled even further along the ledge.  Many varieties swam by: trout, bass, crappie…   Oh, and there’s a catfish.  Don’t usually see them all together.  I wonder if there is a gar although they are not usually in fast moving streams but in brackish backwaters.  I remember being so surprised when I first saw an alligator gar and how it looked like an alligator with its long snout with a double row of needle-teeth in the upper jaw.  I read up about them and their average size of 3-7 feet.  That one reprint in the paper of 10-foot long gar caught in Mississippi in 1910 was amazing.   

 

Gars are a primitive species with fossils found going back to the Cretaceous period about 145 million years ago to about 70 million years ago. What would it be like to have a direct line back for so long? But they are so ugly.  That’s unkind.  I bet they consider themselves just fine, or even VERY fine.  And the gar would be large enough to carry my satchel.  Good thing everything is in plastic-zipped bags – just in case.  

 

She sat on the ledge, feet dangling into the water, well aware that if a gar was present it might bite her leg thinking it was a flopping fish.  Gars, so old yet still around and surviving well around here and further south.  Do they have awareness or any sense of who they are?  The skeleton picture of the gar showed teeth in a bit grin, or so it seemed.  Like the wolf dressed as the grandmother in Little Red Riding Hood.  What big teeth you have…

 

Before she realized, she slid into the water, satchel, scales and all.  Other fish darted away obviously aware that gars eat fish and even crabs.  She understood their reluctance to travel close but it still hurt her even though she knew gars were solitary fish.  She always seemed to want to connect with any and every thing.  She could sense the difference between “her” feelings of being different and the gar’s acceptance of being who he was.   

 

The slight wriggling motion of the gar swimming made her nauseous for a few minutes, then it felt natural and free.  It was much easier to move through water than to walk through air because of gravity.  And the rhythm of swimming was quite soothing.  The feel of the water as she glided through actually felt very sensuous on her skin/scales.  Do fish interpret that feeling as sensuous?  Maybe not, since they don’t know of anything else and know nothing to compare it to as I do.

 

She could see a narrowing in the cave wall where the fish were heading towards and then disappearing into.   Ok, here we go!  A dark passage with spotlights on the side, here and there, as sun shone through.  Possible outlets for springs.  Springs are a good source of wells for farmers and settlers.  Are any of these hot springs?  There are many hot springs that were used and still are, for healing and pleasure, in the Ozarks.  Even Native Americans gathered here to recover and bask in the warm, soothing waters.  

 

One sun-lit area loomed larger than the previously seen ones.  It was off to the right side where the main tunnel divided.  She decided to check that one out as she saw some fish heading over there.  She swam to the same area and was suddenly outside.    

She popped up close to the surface but still retained the gar body, remembering that gar have an air bladder so they can breathe air for as long as 2 hours.  Being close to the surface to draw in air also made them vulnerable as an easy target for bow-fishermen.  But she wanted to see if anyone was around before surfacing and shifting.  Seems clear. 

She wriggled onto the pebbly bank and checked to ascertain how well the air bladder worked.  As her tail, flipping her ashore, caught the light’s reflection, she thought of how some Native American tribes, like the Seminoles, Creek, Chickasaw, and Cherokee participated in ritual dances and song surrounding the gar, and many liked to collect the gar scales, which were hard like armor.

 

She lay still, now breathing air.  She watched and listened.  She could see the other fish moving along further with the current of the stream.  She could hear the sounds of water running over rocks and the usual forest sounds.  But what is that?  A hum—something else.  Just sounds like a humming  noise.  Maybe the gar can’t hear things above water the way humans would.

 

She allowed herself to change back into her regular form so as to listen better, even though she knew her hearing was getting worse.  But it still had to be better than the gar’s.  Sounds like chattering well off in the distance—people chattering and music.  What kind of music is that?  Not any popular music like country, rap, hip-hop, reggae, rock and roll, big band, or even classical. Whatever is that?  Sounds familiar in a way, in a sort of nostalgic way… like when I was a child… sounds like circus music! Real circus music!  Where am I anyway?  Where have I traveled  to?  And when have I gone to? Since I can’t go back against the current so might as well go on.  It’s been years, but I’m going to the circus!

 

Tunnel of History - 2

 

I reach for a stone to drop down the well to check where the water level is.  The one I pick up is covered with seashell fossils from when these Ozark Mountains were under oceans millennium ago.  I place it in my satchel to add to the others I’ve collected.  It always amazes me that here, in the middle of the United States, there was once ocean.  Finding another plain stone, I drop it and listen.  No ‘splash’ of stone hitting water, but instead, the sound of ‘plop’ onto dirt.  OK, not a well but a tunnel as the stair-ladder indicates.  What else will I find?

  

Fixing the flashlight to attach to the side of my neck with the bandana I always carry and have used in this manner before, I free my hands for going down the narrow pieces of wood.  Turning around, I gingerly step backwards and down the first rung, using my arms to balance and thinking perhaps, I should get down on all fours and ease down.  I am no longer as agile as I once was.  I decide to use an overhanging branch as leverage to step down the second rung, then the third and fourth as I check for dry rot on each.  At last my hands can grab the wooden steps, trying to avoid splinters.  Finally my head drops below the level of the surface.  The flashlight shines brightly on the close earthen walls.

 

Ouch! What’s that?  My right hand gets cut as it moved to gain another purchase on the ladder.  An arrowhead!  When is this from?  I pry it out of the earth and examine at it.  As common as they are around here, I still thrill to unearth one.  Is it Osage, Caddo or Cherokee?  Hard to tell.  Could be from the very early days when many of the American Indian tribes criss-crossed this area either for hunting grounds or summer camps in the hills.  Or maybe from the Trail of Tears, or “the trail where they cried”, which passed through this area as over 1,000 Cherokees led by John Benge trudged through here in January of 1839.  I’ll put this into my satchel to check out later when I get back.

  

Finally I reach bottom.  I detach my flashlight from its cloth holder so I can maneuver the light better.  I fold up and place the bandana back into the satchel, then look around.  I’m standing in a dead-end of a tunnel that appears to slant downward from here.   

 

Do I dare go further?  I’m intrigued by all the recent TV programs on the Manhattan underground and London underground, and all the various tunnels for systems under cities for pipes, electric, water, sewer and subway systems.  Even underground cisterns as in Masada and New York City, and underground shelters in Roman times and in London in World War II – all fascinating!  Yet this is creepy, too.  Where does this lead?  What else is down here?  I think of all the stuff nightmares are made of: darkness, bugs, spiders, monsters, the unknown.  I think I should go back.

 

But what if it’s part of the Underground Railroad?  Or an escape route during the Civil War when the North/South line moved back and forth across this area?  I decide I’ll walk just a little further.

 

Cautious steps, one after the other, all going down a slight slope.  Something skitters nearby, causing me to stop as my heart pounds and I move my flashlight towards the sound.  It’s only a salamander.  How pretty!  It looks like a clown with those black polka dots on a bright orange smooth body.

  

A few more steps and I stop again as I hear another noise, but this sounds like water lapping softly onto the shore.  This intensifies as I continue along. 

 

Then I step into what appears to be a large cave with a rock ledge running along one side and expanding past a pool of water that is mostly calm but with just enough motion to create the lapping sound.  Is water flowing in?  I watch, but the water isn’t rising.  Maybe it is flowing in and out? 

 

Aiming the light so it follows the ledge out over the pool, I see some things piled there.  I climb up and walk out further a bit on the solid ledge.  An old bashed-in tin cup, maybe for getting pool water to drink?  Someone hiding out waiting to connect up with the Butterfield Stagecoach, which passed nearby?  Back here, near the rock wall, a pile of feathers interspersed with bits of disintegrating cloth… no, it’s burlap sacking.  Maybe this had been someone’s sleeping pallet… for a slave dreaming of freedom?  for a soldier dreaming of peace?  for a settler dreaming of escape?   

 

And of what do I dream as I stand here in this tunnel of history?  Of the interconnectiveness of all things, the ebb and flow of life, the weaving of patterns, the wonder of it all.  But mostly, of the even bigger Wonder beyond it all!

 

My reverie finally breaks.  A little further along the ledge, I see a pile of charred wood and something half buried in the ashes.  How long ago was this fire snapping and crackling?  What’s this?  A partially burned wooden carved fish!  Symbol of Christians being here?  Fisherman?  Fish in the water? 

 

I go to the edge and peer into the deeper part of the pool.  Yes, I see fish swimming, but they seem to be moving with a purpose, as a school of fish, from left to right.  Is that how the current flows?  I watch closely.  Yes, it is.  Yet I don’t see an opening into the cave.  Must be underwater.  I’m not a very good swimmer.  I think I’ll turn back.  This has been adventure enough and gives me plenty to write about.

 

But where are these fish going?

Into The Well - 1

 

I finished glancing through a Toscano catalog, enjoying all the beautiful sculptures suitable for putting in the garden.  Most everything was too expensive for me to ever buy, but just looking always inspired me with garden ideas more suitable for my budget.  So I then decide to wander through the garden, as the various possibilities were still fresh.

 

I wander through the flower and vegetable gardens, around the huge wild rose bush in bloom, past the honeysuckle overgrowing the old fence, and roam through the back gate onto the rest of the property, all wild and abandoned.  Clumps of daisies and cluster of late-blooming daffodils poke through wild grasses and tumbled stone, evidence of caring habitation in the old homestead that had been here years ago.  Part of the local stone chimney was evident, now a haven for snakes and other critters.   Giving the chimney a wide berth, I move behind it toward a particularly beautiful setting of blackberry flowers cascading on prolific branches.  They seem to form a circle with an opening in the center, but as I walk around the perimeter, I’m not able to penetrate within.  Something smaller was needed to avoid all the thorns… Yes, a bee.

 

I throw my garden/woods-wandering satchel over the blackberries wall and shape-shift into a bee able to fly between branches to avoid the thorns.  But the overpowering fragrance calls to me to stop and collect some pollen.  And then I fly to the next flower, and the next.  Wait a minute… I’m a bee in order to egress to the center, not to stop at every flower for pollen.  It can be hard to become something and not get caught into all the aspects of that something, all the instincts and attachments.  Focus… focus…   

 

I shoot straight to the center and see a round wooden plank cover lying there, encrusted with moss in places.  A metal handle pokes out of the center, so I shift back into my overweight self and pick up the satchel.  As I glance around I think back to the catalogue I had just seen and remember one of the items for sale entitled “The Dweller Below.”  This sculpture by artist Liam Manchester portrayed a legendary boogeyman rising from beneath the streets of London through a manhole cover.

 

 

 The sculpture gave me second thoughts about pulling the cover off, but really, what do boogeymen roaming the city-streets of London have to do with a well in Ozarks country.  Grunting, I pull off the cover and peer within, expecting to see water below.   Instead, there are stairs leading down into blackness.  What is this?  Not a water-well which are common around the farms here, but a passageway.  Where does it lead?  Could this have been an escape route in case of attack from rustlers or Indians way back?  How long ago was that homestead here?  Maybe it’s  more of an escape for during the Civil War when the North and South fought heavily in this area.  Part of the underground railway?  Where does this lead?

 

I pull out the flashlight from my satchel, glad the batteries were new, plus I had extra in the bag.  I tie a Kleenex on the tip of a nearby branch as evidence I was here, just in case…